![]() The rainCover Handheld is suitable for handheld camera work but is also great while your camera is attached on a tripod, pedestal, or any other camera support solution. Through years of experience and working closely with multiple camera operators, we have improved the designs to perfect solutions for multiple applications. With this universal rain cover for handheld video cameras, you can now protect your equipment from the elements without sacrificing your shot. Protect the Sony, Panasonic, JVC and Canon handheld video camera against inclement weather with the camRade rainCover Handheld. LAN terminal (Streaming/IFB/Remote) in addition to USB host (v3.0) High performance 1080 60p/50p live streamingĪuto FTP to upload native video clips automatically Low latency and high-quality streaming up to 20Mbps Featuresġ" (effective) CMOS sensor with high picture qualityĤK UHD 60p/50p ProRes 4:2:2 10-bit recording to SSD*ĤK UHD 30p/25p/24p 4:2:0 8-bit recording to SDHC/SDXC card Shoot 4K ultra-HD with HDR and record to SSD (solid state drive) media in a wide variety of formats, including 10-bit ProRes 422 at 4K resolution and 50/60p frame rates. The GY-HC500 is a handheld 4K production camcorder that offers uncompromised live and recorded image quality, and connectivity you won't find in any competitor's product. Supreme 1" 4K handheld camcorder for ENG, production, and sports. It's truly the most advanced and versatile camcorder in its price range. The GY HC500 CONNECTED CAM features high performance 1080 60p/50p live streaming with low latency (<500 ms ) and a full complement of IP remote control and viewing features. You can also record UHD 30p/25p/24p, full HD or proxy files to SDHC/SDXC media. ![]() Shoot 4K ultra HD with HDR, J Log 1, and record to SSD (solid state drive) media in 10 bit Apple ProRes 422 at 4K UHD resolution and 60p/50p frame rates. 4K is amazing again for a church I'd shoot X70, absolutely.The JVC GY-HC500E is a handheld 4K professional camcorder for production that offers uncompromised image quality, allowing you to shoot movies and video productions on a budget. That even if the noise is better handled by the JVC.Ī great camera destroyed by a poor cheap lens! A better lens would've been a coupe of dollars more in mass production. Why JVC gave such a poor lens to this beautiful camera? I don't know. But you can't use 1.8 on the JVC while the Zeiss on X70 is first class pretty much at all the apertures. So in the end the X70 is the better camera in low light because 2.8 on a 1" sensor equals 1.8 on the small sensor of the JVC. ![]() at 1.8 the JVC looks blurred, because of the lens. The noise is pleasant, salt&pepper but it will be the only hope in a church. That said the problem with the JVC is the lens. I don't even think about going to catalyst also because I firmly believe that there is no 422 50Mbps in the X70- since it looks exactly like the regular avchd As you all know the XAVC-L of the X70 is the only format that doesn't work (still), while others do. So well done to JVC, and I also appreciate that Craig is here, that means a lot guys!Ī direct comparison with the X70 can be done only in 1080 (X70 and jvc 422) ![]() Ok I don't think that Sony will fix the XAVC-L nonsense any time soon, so I went for this HM200 instead because I was sick and tired of the incompatibility of that proprietary container that nobody uses (beside edius and catalyst and few others that don't really matter) 4K doesn't give too much RS, more or less like HD The AF can be fine tuned for speed and that's also good to have. The white Balance is a little complicated to set on the fly (but always better and less complicated than the X70 that doesn't even show on the screen while changing it- You change it and Then it shows the colors). I know how that works for the HM600 and that's impressive (interviews with the ability to switch from the interviewer to the talent and vice-versa, all in AF moving with the joystick on the LCD (so with the left hand). I see that's not touch screen, but I also see that sports one of the best face recognition in the market. But most importantly it works in 50Mbps 4:2:2 in HD with no maybes and no buts and no idiotic proprietary containers like the XAVC-L (that still doesn't work with Vegas or FCP -the ones that count!) Plus it works with any editor right now and we don't have to pay for the updates. The ergonomics are much much better than the X70. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |